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The '''fourth wall''' is the imaginary "wall" at the front of the stage in a traditional three-walled [[wikipedia:box set (theatre)|box set]] in a [[wikipedia:proscenium|proscenium]] theater, through which the audience sees the action in the world of the [[wikipedia:Play (theatre)|play]].<ref name=Bell>Bell, Elizabeth S. (2008), ''Theories of Performance'', Los Angeles: Sage, pp. 203, ISBN 9781412926379 .</ref> When a character makes direct contact to the audience from a film or television program or references his or her status of being in one, it is called "breaking the fourth wall."<ref name="Bell" /><ref name=Abelman>Wallis, Mick; Shepherd, Simon (1998), ''Studying plays'', London: Arnold, pp. 214, ISBN 0340731567 .</ref> The technique of breaking the fourth wall can be seen in various television programs, especially [[wikipedia:situation comedy|situation comedies]], in [[wikipedia:Animated cartoon|animated cartoons]], and in films.
 
The '''fourth wall''' is the imaginary "wall" at the front of the stage in a traditional three-walled [[wikipedia:box set (theatre)|box set]] in a [[wikipedia:proscenium|proscenium]] theater, through which the audience sees the action in the world of the [[wikipedia:Play (theatre)|play]].<ref name=Bell>Bell, Elizabeth S. (2008), ''Theories of Performance'', Los Angeles: Sage, pp. 203, ISBN 9781412926379 .</ref> When a character makes direct contact to the audience from a film or television program or references his or her status of being in one, it is called "breaking the fourth wall."<ref name="Bell" /><ref name=Abelman>Wallis, Mick; Shepherd, Simon (1998), ''Studying plays'', London: Arnold, pp. 214, ISBN 0340731567 .</ref> The technique of breaking the fourth wall can be seen in various television programs, especially [[wikipedia:situation comedy|situation comedies]], in [[wikipedia:Animated cartoon|animated cartoons]], and in films.
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==List of fourth wall breaks and references==
 
===Season 1===
 
* "[[The Undergrounders]]" - When [[Milo Murphy|Milo]] and company come crashing through the museums wall, [[Bradley Nicholson|Bradley]] looks at the camera and says "and we're back".
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* "[[Smooth Opera-tor]]" - [[Amanda Lopez|Amanda]] notes that the [[Mezzo Soprano Opera]] lasts "two hours and eleven minutes". The specific extra amount of minutes is a reference to how a typical episode in ''Milo Murphy's Law'' and other modern TV shows lasts about eleven minutes.
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* "[[Worked Day]]" - Milo questions if "animator" is a "real job" on his job list. [[Brigette Murphy|Brigette]] asks Milo where his anchor is, he stared at the camera with a blank expression.
  +
* "[[The Island of Lost Dakotas]]" - Milo says that it would take "eleven minutes" to tell the story of his first encounter with Hamosaur.
  +
 
* "[[Fungus Among Us]]" - When [[Balthazar Cavendish|Cavendish]] identified a message from 1965, [[Melissa Chase|Melissa]] glances to the camera and imitates an explosion.
   
==Season 1==
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===Season 2===
 
* "[[The Phineas and Ferb Effect]]" - When [[Phineas Flynn|Phineas]] notes [[Ferb Fletcher|Ferb's]] chattiness in their debuting scene, Ferb says that "it's been a long time", referencing when ''[[Phineas and Ferb]]'' ended in 2015.
* [[The Undergrounders]] - When [[Milo Murphy|Milo]] and company come crashing through the museums wall, [[Bradley Nicholson|Bradley]] looks at the camera and says "and we're back".
 
  +
** Later on in the episode, Milo tells Phineas and Ferb that they're welcome to "cross over" at any time they like, inviting them over for a future crossover episode.
 
* "[[The Ticking Clock]]" - When [[Heinz Doofenshmirtz|Doofenshmirtz]] opens the door to find [[Perry the Platypus|Perry]], he tells Perry that he couldn't hear his knocking over the musical sting, which he shouldn't have been able to hear.
 
* "[[Sick Day]]" - When Doofenshmirtz shows Perry the sign of "Doofenshmirtz Good Incorporated" on the Murphy's shed, the [[Doofenshmirtz Evil Jingle|appropriate ''good'' jingle]] plays. Doofenshmirtz then comments that he has no idea where that came from, despite the fact that, like the example above, there's no logical reason for him to hear it in the first place.
 
* "[[Field of Screams]]" - When [[Vinnie Dakota|Dakota]] tries to remind Cavendish of what "[[Corn Field Farmer|the farmer]]" said, the screen cuts to [[Marcus Underwood|Marcus]] and [[Zack Underwood|Zack's]] flashback. Cavendish then asks "what just happened", but in reality they should have not seen that flashback.
  +
* "[[Now I Am a Murphy]]" - Doofenshmirtz says, after he makes the museums statues come alive, that they are not alive, but animated. He then looks at the camera and says "and expertly storyboarded". The screen then shows a picture of storyboarder [[James Kim]] and sings [[James Kim (song)|a jingle]] about him. Doof then says "he just became a daddy".
  +
* "[[Abducting Murphy's Law]]" - Both Zack and Dakota mentioned that Milo was missing "last season" as well, before specifying Milo went missing in the fall, and this time it's in the winter.
  +
* "[[The Goulash Legacy]]" - Similar to the example above, Doofenshmirtz tells Norm "It's a whole new series... of events that have transpired".
  +
* "[[Ride Along Little Doggie]]" - Zack notes to Milo, Melissa and Amanda that it's great that their school would hold [[Winter Break Awards|an award show]] just to honor students, and compares it to "something that would only happen on a TV show... you know, late in the season when the writers are tired".
  +
* "[[The Mid-Afternoon Snack Club]]" - [[Mr. Blunt]] locks a metal door with several complicated locks to keep Milo, Zack, Melissa, Amanda, [[Bradley Nicholson|Bradley]] and [[Mort Schaeffer|Mort]] inside the classroom, which he then unlocks and re-locks to state it was recently installed. The locking/unlocking process is quite long, and the students remain still during all three times. After the third time, Milo looks to the camera and says "You're welcome, animators", as the animators don't have to do much during these scenes.
  +
* "[[Parks and Wreck]]" - [[Trucker Ted]] constantly brings up the gag revolving around him crashing his truck and spilling his deliveries to his agent, pulling out the episode's script and mentioning how many appearances he makes.
   
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== Gallery ==
* [[File:Fungus (55).png|200x200px|right]] [[Fungus Among Us]] - When [[Balthazar Cavendish|Cavendish]] identified a message from 1965, [[Melissa Chase|Melissa]] glances to the camera and imitates an explosion.
 
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<gallery position="center" spacing="small">
==Season 2==
 
  +
Fungus (55).png|Melissa's mind is blown.
* [[The Phineas and Ferb Effect]] - [[Ferb Fletcher|Ferb]] says that it's been a really long time, referencing when [[Phineas and Ferb]] ended in 2015.
 
  +
Hey There.PNG|Phineas agrees it's been a long time.
* [[The Ticking Clock]] - When [[Heinz Doofenshmirtz|Doofenshmirtz]] opens the door to find [[Perry the Platypus|Perry]], he tells Perry that he couldn't hear his knocking over the musical sting, which he shouldn't have been able to hear.
 
  +
JamesKim.png|James Kim's cameo.
* [[Sick Day]] - When Doofenshmirtz shows Perry the sign of "Doofenshmirtz Good Incorporated" on the Murphy's shed, [[Doofenshmirtz Evil Jingle|the appropriate ''good'' jingle]] plays. Doofenshmirtz then comments that he has no idea where that came from, despite the fact that, like the example above, there's no logical reason for him to hear it in the first place.
 
  +
Mid-Afternoon Snack Club (50).png|"You're welcome, animators!"
* [[Field of Screams]] - When [[Vinnie Dakota|Dakota]] tries to remind Cavendish of what "[[Corn Field Farmer|the farmer]]" said, the screen cuts too [[Marcus Underwood|Marcus]] and [[Zack Underwood|Zack']]s flashback. Cavendish then asks "what just happened", but in reality they should have not seen that flashback.
 
  +
Parks (2).png|Ted looking at the script.
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Parks (85).png
  +
Parks (86).png
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</gallery>
   
 
==References==
 
==References==
 
{{Reflist}}
 
{{Reflist}}
 
[[Category:Lists]]
 
[[Category:Lists]]
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[[Category:F]]
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[[Category:Running Gags]]

Revision as of 21:34, 29 March 2020

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The fourth wall is the imaginary "wall" at the front of the stage in a traditional three-walled box set in a proscenium theater, through which the audience sees the action in the world of the play.[1] When a character makes direct contact to the audience from a film or television program or references his or her status of being in one, it is called "breaking the fourth wall."[1][2] The technique of breaking the fourth wall can be seen in various television programs, especially situation comedies, in animated cartoons, and in films.

List of fourth wall breaks and references

Season 1

  • "The Undergrounders" - When Milo and company come crashing through the museums wall, Bradley looks at the camera and says "and we're back".
  • "Smooth Opera-tor" - Amanda notes that the Mezzo Soprano Opera lasts "two hours and eleven minutes". The specific extra amount of minutes is a reference to how a typical episode in Milo Murphy's Law and other modern TV shows lasts about eleven minutes.
  • "Worked Day" - Milo questions if "animator" is a "real job" on his job list. Brigette asks Milo where his anchor is, he stared at the camera with a blank expression.
  • "The Island of Lost Dakotas" - Milo says that it would take "eleven minutes" to tell the story of his first encounter with Hamosaur.

Season 2

  • "The Phineas and Ferb Effect" - When Phineas notes Ferb's chattiness in their debuting scene, Ferb says that "it's been a long time", referencing when Phineas and Ferb ended in 2015.
    • Later on in the episode, Milo tells Phineas and Ferb that they're welcome to "cross over" at any time they like, inviting them over for a future crossover episode.
  • "The Ticking Clock" - When Doofenshmirtz opens the door to find Perry, he tells Perry that he couldn't hear his knocking over the musical sting, which he shouldn't have been able to hear.
  • "Sick Day" - When Doofenshmirtz shows Perry the sign of "Doofenshmirtz Good Incorporated" on the Murphy's shed, the appropriate good jingle plays. Doofenshmirtz then comments that he has no idea where that came from, despite the fact that, like the example above, there's no logical reason for him to hear it in the first place.
  • "Field of Screams" - When Dakota tries to remind Cavendish of what "the farmer" said, the screen cuts to Marcus and Zack's flashback. Cavendish then asks "what just happened", but in reality they should have not seen that flashback.
  • "Now I Am a Murphy" - Doofenshmirtz says, after he makes the museums statues come alive, that they are not alive, but animated. He then looks at the camera and says "and expertly storyboarded". The screen then shows a picture of storyboarder James Kim and sings a jingle about him. Doof then says "he just became a daddy".
  • "Abducting Murphy's Law" - Both Zack and Dakota mentioned that Milo was missing "last season" as well, before specifying Milo went missing in the fall, and this time it's in the winter.
  • "The Goulash Legacy" - Similar to the example above, Doofenshmirtz tells Norm "It's a whole new series... of events that have transpired".
  • "Ride Along Little Doggie" - Zack notes to Milo, Melissa and Amanda that it's great that their school would hold an award show just to honor students, and compares it to "something that would only happen on a TV show... you know, late in the season when the writers are tired".
  • "The Mid-Afternoon Snack Club" - Mr. Blunt locks a metal door with several complicated locks to keep Milo, Zack, Melissa, Amanda, Bradley and Mort inside the classroom, which he then unlocks and re-locks to state it was recently installed. The locking/unlocking process is quite long, and the students remain still during all three times. After the third time, Milo looks to the camera and says "You're welcome, animators", as the animators don't have to do much during these scenes.
  • "Parks and Wreck" - Trucker Ted constantly brings up the gag revolving around him crashing his truck and spilling his deliveries to his agent, pulling out the episode's script and mentioning how many appearances he makes.

Gallery

References

  1. 1.0 1.1 Bell, Elizabeth S. (2008), Theories of Performance, Los Angeles: Sage, pp. 203, ISBN 9781412926379 .
  2. Wallis, Mick; Shepherd, Simon (1998), Studying plays, London: Arnold, pp. 214, ISBN 0340731567 .